Exhibitions \/ AC Museoa \/ San Mam\u00e9s<\/title>\n<meta name=\"description\" content=\"Find out about exhibitions organised by AC Museoa. Visit the San Mam\u00e9s stadium with all the safeguards in place.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sanmames.athletic-club.eus\/museo\/en\/museum\/exhibitions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibitions \/ AC Museoa \/ San Mam\u00e9s\" \/>\n<meta property=\"og:description\" content=\"Find out about exhibitions organised by AC Museoa. 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To mark the 70th anniversary of the historic double, AC Museoa is opening this temporary exhibition, dedicated to Athletic Club’s unforgettable 1955–56 season.<\/p>\n

A unique exhibition, bringing together nearly 70 original artefacts to relive the club’s fourth double, when it was crowned both league and cup champions.<\/p>\n

An exhibition that takes its name from the famous promise made by Ferdinand Daucik, who assured everyone during the 1955 Cup reception that the team would return with two titles – and he kept his word.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n

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\n $\"Hitza$ \n <\/li>\n \n \n \n \n \n
\n $\"ac-museoa-hitza-1\"\/$ \n <\/li>\n \n \n \n \n \n
\n $\"ac-museoa-hitza-2\"\/$ \n <\/li>\n \n \n \n \n \n
\n $\"ac-museoa-hitza-3\"\/$ \n <\/li>\n \n \n \n \n \n
\n \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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<\/div>\n\n \n \n \n \n \n \n
- \n $\"Hitza$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
- \n $\"ac-museoa-hitza-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
- \n $\"ac-museoa-hitza-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
- \n \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
  - \n $\"ac-museoa-hitza-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n
    History of exhibitions<\/span><\/p>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2024<\/time>\n
    Women at Athletic Club: from the shadows to the light<\/h4>\n\n
    \n \n
    Coinciding with the centenary in which Athletic’s female fans became season members of the Club, Athletic Club Museum presents this exhibition documenting the difficult road that women have had to achieve formal equality.<\/p>\n
    Structured in two main axes, the social and the sporting, the exhibition presents a video of testimonies of women about their relationship with Athletic, along with more than one hundred original objects, from the most significant documents of women in the Club, to the best pieces of the Athletic women’s section founded in 2002-03.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"museoa-mujeres-club\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-7\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-8\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-9\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-10\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-11\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"museoa-mujeres-club\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"athletic-club-museo-femenino-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"athletic-club-museo-femenino-8\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-9\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-10\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-femenino-11\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2024<\/time>\n
    Danontzat zara zu geuria (For everyone, you are ours)<\/h4>\n\n
    \n \n
    Ima Montoya exhibit in the Athletic Club Museoa<\/strong><\/p>\n
    Athletic Club Museoa exhibits ‘Danontzat zara zu geuria’ the series that the artist Ima Montoya made after the reception of La Gabarra Athletic.<\/p>\n
    The painter from Erandio, painted this series of twelve paintings inspired by images experienced on 11 th April 2024. In the words of the artist, these works reflect ‘the joy and emotion of really feeling part of Bilbao. In contrast to the black and white Bilbao of 1984, this barge was in colour, with sunshine, in a 21 st century Bilbao, in a happy Bilbao, celebrating what we are and how we are’.<\/p>\n
    Ima Montoya (www.imamontoya), an artist with a long career, has exhibited in Museums, International Art Fairs, Cultural Centres and Institutions and Art Galleries such as the Metropolitan Museum in Tokyo, the MMoma in Moscow, the Newport Museum of Art in the USA or the Royal College of Art in London among many other places.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-7\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-museoa-zu-zara-nagusia-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2024<\/time>\n
    25 Cups<\/h4>\n\n
    \n \n
    After 40 years, Athletic Club won its fetish trophy again in April 2024: the Copa. This exhibition presents all the trophies won in this competition by Athletic Club since the year it was founded in 1898.<\/p>\n
    In its 125 years of history, Athletic Club has participated in up to 113 editions of the competition, being the team, along with Real Madrid, that has participated the most times in this championship that hosts up to 116 teams. To these statistics are added the 42 finals that the Club has reached or the record of the player who has scored the most goals in all the games he has played: Telmo Zarra, with 81 goals.<\/p>\n
    The exhibition presents to its fans all the 25 Cups won by the Club, from the first won in the 1901 – 1902 season to the last, from the 2024 – 2025 season.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
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    \n $\"exposicion-de-copas-athletic-club-01\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-02\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-03\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-04\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-05\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-06\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-07\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"exposicion-de-copas-athletic-club-01\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-02\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-03\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-04\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"exposicion-de-copas-athletic-club-05\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-06\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"exposicion-de-copas-athletic-club-07\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2024<\/time>\n
    In Memoriam Agust\u00edn Ibarrola (1930 – 2023)<\/h4>\n\n
    \n \n
    With the presentation of the sculpture “Los 11” (“The 11”), created by Agustín Ibarrola for the Athletic Club Centenary in 1998, we would like to pay tribute to this Basque artist noted for his dual artistic and social commitment.<\/p>\n
    Ibarrola, one of the great names in Basque art since the second half of the 20th century, known mainly for his interventions in nature, works in painting, engraving and sculptures. He produced an exceptional body of work that evolved and combined both a figurative language and a constructivist and rationalist one based on form, colour and the dialogue established with the support and its surroundings.<\/p>\n
    This sculpture is accompanied by the painting “Portero saliente” (“Outgoing Goalkeeper”) by José Ibarrola (Bilbao 1955), and the animation “Zu zara nagusia” (“you are the biggest”) by Naiel Ibarrola (Bilbao 1987), son and grandson of Agustín.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-7\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-8\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museoa-agustin-ibarrola-8\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2023<\/time>\n
    The Athletic Club and cycling<\/h4>\n\n
    \n \n
    With this exhibition, organised on the occasion of the Grand Depart 2023 of the Tour de France, we show the importance of cycling in our territory and its relationship with Athletic Club.<\/strong><\/p>\n
    In Bilbao, the love of cycling goes back a long way. The first documented news of this sport in our town dates back to 1868. The interest was such that in 1896 the Bilbao Velodrome was inaugurated, with a capacity for 5,000 spectators.<\/p>\n
    The Athletic Club, the most representative sports association in Bilbao, founded in 1898, had a cycling team in the 1920s. With a short-lived but very successful life, some of the best Basque cyclists of the time wore its jersey.<\/p>\n
    Athletic’s relationship with cycling extends to its home ground, San Mamés. The Cathedral has been both the start and finish line of great races as well as a privileged place where Basque fans have paid tribute to emblematic cyclists.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"athletic-club-ciclismo-exposicion-museo\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"athletic-club-museo-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-club-museo-7\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"athletic-club-ciclismo-exposicion-museo\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"athletic-club-museo-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"athletic-club-museo-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2023<\/time>\n
    Friendlies and pre-season tournaments in the Club\u2019s 125 years of history<\/h4>\n\n
    \n \n
    During Athletic Club’s 125 years of existence, we have gathered documentation from nearly 7,000 matches, against more than 700 teams – of which some 2,000 were friendly fixtures.<\/span><\/p>\n
    There was a time when friendlies were the only way fans could watch foreign teams and when friendly tournaments were almost seen as being official. <\/span><\/p>\n
    Even today, despite not being as highly regarded as in the past, many meaningful anniversaries are still celebrated with friendlies.<\/span><\/p>\n
    The Athletic Club’s new exhibition showcases some of the most important friendly trophies won by the Lions since our foundation in 1898. <\/span><\/p>\n
    Some are trophies of major significance, such as the Teresa Herrera or the Carranza, won by both the men’s and women’s teams. <\/span><\/p>\n
    Others are of historical value. For example, an Athletic vs Madrid – not Real Madrid at that point – match organised by the Madrid City Council to celebrate the republic’s first anniversary.<\/span><\/p>\n
    Finally, some had economic value, like the Concepción Arenal Trophy, which was made entirely of gold and worth more than 50,000 pesetas (<\/span>300 euros<\/span>) in 1953. <\/span><\/p>\n
    In total there are 18 trophies on display (just a fraction of those that have been kept and preserved by Athletic) in addition to 12 pennants from the teams we played during those matches.<\/span><\/p>\n
    \n Buy tickets<\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"trofeos-amistosos-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"trofeos-amistosos-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"trofeos-amistosos-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"trofeos-amistosos-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"trofeos-amistosos-5\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"trofeos-amistosos-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"trofeos-amistosos-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"trofeos-amistosos-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"trofeos-amistosos-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"trofeos-amistosos-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2022<\/time>\n
    The children of 37 in the UK<\/h4>\n\n
    \n \n
    Through this exhibition, the result of the collaboration between BCA’37 UK, BCA’37 Euskadi and Athletic Club Museoa, we pay tribute to our elders who suffered the atrocity of the war, we remember the thousands of exiled Basque children and we show our gratitude to all the people who mobilized in favor of the Basque refugees.<\/p>\n
    The exhibition also highlights an apparently minor issue, but one that played an important role for the child victims of the war: football.<\/p>\n
    \n Buy tickets<\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"ninos-37-reino-unido-museo-athletic-club-exposicion-c-2022\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"expo-ac-museoa-ninos-guerra-c\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"expo-ac-museoa-ninos-guerra-c-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"expo-ac-museoa-ninos-guerra-c-3\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"ninos-37-reino-unido-museo-athletic-club-exposicion-c-2022\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"expo-ac-museoa-ninos-guerra-c\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
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    \n $\"expo-ac-museoa-ninos-guerra-c-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"expo-ac-museoa-ninos-guerra-c-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2021<\/time>\n
    100 years of the San Mam\u00e9s scoreboard<\/h4>\n\n
    \n \n
    In March 2021, San Mamés will have had a scoreboard showing the score during the match for 100 years.<\/p>\n
    On the occasion of this anniversary, the Athletic Club Museum is showcasing the history and evolution of the different scoreboards at the side of the Athlletic pitch, from the times when goals were recorded using pulleys to the present day, when they are equipped with the most innovative digital designs.<\/p>\n
    The history of the San Mamés scoreboard in this century is told through photographs, documents and original pieces, looking at its technical characteristics, location and various anecdotes such as the birth of the “simultaneous scoreboard” or the announcement of goals using pigeons.<\/p>\n
    \n Buy tickets<\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
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    \n $\"marcadores-ac-museoa\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"athletic-museoa-expo-temporal-marcadores\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museo-marcadores\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"athletic-museo-expo-marcadores\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"ac-museoa-marcadores-expo-temporal\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"ac-museoa-expo-temporal-marcadores\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"marcadores-100-anos\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
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    \n $\"athletic-museo-marcadores\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
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    \n $\"ac-museoa-marcadores-expo-temporal\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"ac-museoa-expo-temporal-marcadores\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
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    \n $\"ac-museoa-expo-marcadores\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"ac-museoa-expo-marcadores\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2021<\/time>\n
    Dreams come true<\/h4>\n\n
    \n \n
    With the upcoming cup finals, the museum has reorganised part of its collection to help fervent Athletic fans get the most out of these historic weeks.<\/p>\n
    The multipurpose room at the museum is hosting a temporary exhibition that brings together all the trophies won by Athletic between 1902 and 1984. These include the cups won, accompanied by original items from the games and pictures of the teams that fulfilled the dream of victory.<\/p>\n
    There are also numerous items which are not normally on public display, such as shirts, balls, gifts and pennants from rivals. All this is supplemented by information cards to enable fans to check out the club’s history in more detail at the club museum.<\/p>\n
    \n Buy tickets<\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n
    \n $\"bizi-ametsa-expo-museo-athletic-bilbao\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"trofeos-copa-visita-museo-athletic\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"bizi-ametsa-expo-temporal-museo-athletic-bilbao\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"suenos-cumplidos-ac-museoa\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"ac-museoa-expo-bizi-ametsa\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"bizi-ametsa-cartel-expo-temporal\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"museo-athletic-exposicion-copa-rey\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    \n $\"trofeos-copa-museo-athletic\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"trofeos-copa-visita-museo-athletic\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"expo-temporal-bizi-ametsa-ac-museoa\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"bizi-ametsa-expo-temporal-museo-athletic-bilbao\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"suenos-cumplidos-ac-museoa\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"ac-museoa-expo-bizi-ametsa\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"bizi-ametsa-cartel-expo-temporal\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"museo-athletic-exposicion-copa-rey\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2020<\/time>\n
    European Championships<\/h4>\n\n
    \n \n
    More than 50 original pieces, <\/strong>including the shirts of some of the most representative players<\/strong> of the teams that have won the European Championship between 1960 and 2016<\/strong>: Yashin (1960), Iribar (1964), Zoff (1968), Netzer (1972), Panenka (1976), Rummenigge (1980), Bernard Lacombe (1984), Van Basten (1988), Larsen (1992), Eilts (1996), Zidane (2000), Charisteas (2004), Casillas (2008), Iniesta (2012) and Ronaldo (2016).<\/p>\r\n
    The exhibition is based on pieces from the museum’s collection, specifically from the José Ángel Iribar collection, and has been supplemented thanks to the selfless lending of objects by football museums that belong to federations, clubs and individuals, as well as some of the most important private collections in the world.<\/p>\r\n\n Buy tickets<\/a>\n\n \r\n\n
    Related publication<\/span><\/p>\n\n \r\n
    $\"\"$ <\/p>\r\n\n Buy<\/span><\/a>\n\n \r\n\r\n\r\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
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    \n \n \n
    \n $\"campeones-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"campeones-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-8\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-9\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"campeones-10\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"campeones-11\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2018<\/time>\n
    Garc\u00eda Erg\u00fcin, the ballet of football<\/h4>\n\n
    \n \n
    Exhibition of personal objects and paintings by the painter from Bilbao and distinguished member of Athletic, Iñaki García Ergüin: the series “El ballet del fútbol” (The Ballet of Football), 15 paintings that the artist painted for Athletic in 1976 and which had not previously been exhibited to the public, accompanied by the 1998 Centenary logo.<\/p>\n
    “El ballet del fútbol” is a set of 15 works designed and created for Athletic Club after the author spent a few months with our footballers in the changing room, travelling, at matches…<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
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    \n $\"erguin-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"erguin-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"erguin-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"erguin-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"erguin-7\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"erguin-8\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    <\/div>\n\n \n \n \n \n \n \n
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    \n
    \n $\"erguin-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"erguin-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"erguin-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"erguin-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"erguin-7\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"erguin-8\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2013<\/time>\n
    San Mam\u00e9s, 100 years of history<\/h4>\n\n
    \n \n
    The last year of the old Cathedral<\/strong><\/p>\n
    A review of the 100 years of activity at San Mamés, both from an architectural and a sporting point of view. Original plans, the evolution of the construction of the ground, old membership cards, tickets and match programmes, unpublished images, opponents’ kits, all of the lions and lionesses that made their debut at San Mamés, and the trophies won up to the year we bid farewell to the old Cathedral.<\/p>\n
    Related publications<\/span><\/p>\n\n \n
    $\"\"$ <\/p>\n
    \n Buy the book<\/span><\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"sanmames-inicial\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"sanmames-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"sanmames-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"sanmames-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"sanmames-4\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"sanmames-inicial\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"sanmames-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"sanmames-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"sanmames-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"sanmames-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2012<\/time>\n
    A season to remember<\/h4>\n\n
    \n \n
    AC Museoa has set aside a small area to remember the most recent past, that of the 2011\/2012 campaign. Some of the most special souvenirs of that year were included in the exhibition. A part of this exhibition was made up of images provided by supporters.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"temporada-inicial\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"temporada-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"temporada-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"temporada-3\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
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    \n $\"temporada-inicial\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"temporada-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"temporada-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"temporada-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2012<\/time>\n
    Iribar<\/h4>\n\n
    \n \n
    On the occasion of the 50th anniversary of his debut in our first team, a tribute to the greatest of our goalkeepers: José Ángel Iribar, ‘El Chopo’, Athletic’s ambassador and one of the greatest legends in the Club’s history. The exhibition looks back at some of the Zarautz goalkeeper’s most important moments.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
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    \n $\"iribar-inicial\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"iribar-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"iribar-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n
    \n $\"iribar-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"iribar-2\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    <\/div>\n\n \n \n \n \n \n \n
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    \n $\"iribar-inicial\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"iribar-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"iribar-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"iribar-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n
    \n $\"iribar-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"iribar-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2011<\/time>\n
    Lizaso, Of Cubes and Spheres<\/h4>\n\n
    \n \n
    The exhibition “De Cubos y Esferas. Homenaje a Piru Gainza” (Of Cubes and Spheres. A Tribute to Piru Gainza) by the sculptor Jesús Lizaso, shows a series of works developed for the emblematic Piru Gainza International Tournament, inspired by the legendary Athletic winger.<\/p>\n
    Related publication<\/span><\/p>\n\n \n
    $\"\"$ <\/p>\n
    \n Buy<\/span><\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
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    \n $\"lizaso-2\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"lizaso-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"lizaso-1\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    \n $\"lizaso-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"lizaso-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"lizaso-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"lizaso-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2011<\/time>\n
    Juan Flor and Zigor Alkorta, photographers at the Museum<\/h4>\n\n
    \n \n
    With the aim of showing the work of the photographers on football, Juan Flor and Zigor Alkorta were invited to present a dozen large-format images that reflect the recent years of the club’s history.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
    \n \n \n \n
    \n $\"juanflor-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"juanflor-2\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"juanflor-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"juanflor-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2011<\/time>\n
    A hundred years of football cards<\/h4>\n\n
    \n \n
    An retrospective exhibition looking at football cards in our country since 1911, when the first series was published. An exhibition with more than 50 full albums and 1,000 original cards.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
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    \n $\"cromos-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"PortadaCromos\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
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    <\/div>\n\n \n \n \n \n \n \n
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    \n $\"cromos-inicial\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
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    \n $\"cromos-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
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    \n \n \n
    \n $\"cromos-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"cromos-5\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"cromos-6\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"PortadaCromos\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2010<\/time>\n
    K\u00e1ro, football grounds<\/h4>\n\n
    \n \n
    The exhibition by Armenian painter Karapet ‘Karó’ Harutyunyan provided a new way of bringing contemporary art to Athletic supporters. It was a collection of canvases and sculptures that the artist created around football grounds. Lines that covered myriad ways and means of drawing a work of art.<\/p>\n
    Related publication<\/span><\/p>\n\n \n
    $\"\"$ <\/p>\n
    \n Buy<\/span><\/a>\n\n <\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
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    \n
    \n $\"karo-inicial\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"karo-2\"\/$ \n <\/li>\n \n \n \n \n \n
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    \n $\"karo-4\"\/$ \n <\/li>\n \n \n \n \n \n
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    <\/div>\n\n \n \n \n \n \n \n
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    \n $\"karo-inicial\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"karo-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"karo-3\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n <\/ul>\n \n
    \n \n \n
    \n $\"karo-4\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"karo-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    <\/div>\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2010<\/time>\n
    Lezama, the heart of Athletic<\/h4>\n\n
    \n \n
    On the occasion of Lezama’s 40th anniversary, the Museum put on an exhibition of unpublished images of what Lezama is like and how it has worked throughout the years. It was an album full of memories that captured all of the moments, teams, trainers and training sessions that have shaped the history of this great youth academy<\/u>.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
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    \n $\"lezama-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"lezama-2\"\/$ \n <\/li>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n
    \n\n
    <\/div>\n\n \n \n \n \n \n \n
    \n \n \n
    \n $\"lezama-1\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n
    \n $\"lezama-2\"\/$ \n <\/li>\n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n <\/ul>\n\n \n <\/div>\n\n <\/div>\n\n <\/div>\n\n \n \n \n
    \n\n
    <\/div>\n\n
    \n\n 2009<\/time>\n
    Jos\u00e9 Antonio Aguirre, futbolari, lehendakari<\/h4>\n\n
    \n \n
    An exhibition held to commemorate the 50th anniversary of the death of the first lehendakari (President of the Basque Government), José Antonio Aguirre, highlighting the most significant aspects of his time in the Athletic first team, his amateur status, his most outstanding achievements, the reason for his nickname, and the influence that football had on his political career.<\/p>\n<\/body><\/html>\n <\/div>\n\n <\/div>\n\n
    \n\n
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    \n $\"aguirre-inicial\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-1\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-2\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-3\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-4\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-5\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-6\"\/$ \n <\/li>\n \n \n \n \n \n
    \n $\"aguirre-7\"\/$ \n <\/li>\n \n \n \n \n \n
    \n